Also built for
What it’s actually like
Three things generic booking software gets wrong about dance.
01
A term is not eight drop-ins
You sell a twelve-week course. Software built for drop-in classes makes you fake it as twelve separate bookings.
Enrollment sits on the course. A missed week doesn't cost the family a second payment.
02
One parent, three dancers
Fees, permissions and communication all belong to the adult. The classes belong to the children.
The payer and the participants are modeled separately, so one account covers the whole family.
03
Recital season is a spreadsheet
Costume sizes, extra rehearsals, ticketed showcases — none of it fits a weekly class grid.
Workshops, events and ticketed showcases run on the same spine as your regular timetable.
The part nobody trained you for
Registration week shouldn't need a paper diary.
Most dance studios still run enrollment on forms and a desk diary, because the alternative was software that couldn't hold a term. That's a modelling failure, not a discipline failure.
Course enrollment with per-session overrides
Family accounts where the payer isn't the participant
Waitlists that promote in enrollment order
Ticketed showcases alongside classes
The same system, your shape
Five parts. All of them yours from day one.
“[Proof: pending — quote from a pilot dance studio, to replace this placeholder before launch.]”
[Proof: pending — pilot studio owner]
Owner · dance academy
Run the term.
Not the paperwork.
Free during early access. Import from your current tool in under an hour.